SIGMA created the FF Classic Primes to further accentuate the flares of their original prime set by making changes to their coatings. These compact, high speed primes are sharp, neutral in temperature while being lower contrast than the originals and feature SIGMA’s quality cinema housings at a reasonable price.
ARRI designed the Signature Zooms to perfectly match the Signature Prime set of lenses. Built with LPL mounts for optimal full frame performance, the 16-32mm T2.8, 45-135mm T2.8, and 65-300mm T2.8 zooms are both fast and well-balanced for their size. They feature the same pleasing bokeh, smooth focus, and the warm cinematic tone of the prime lens set.
The ARRI Macro set was co-designed by ARRI and Zeiss in a collaboration that strived to make a modern, sharp, clean macro lens. Each lens in the set offers superb optical performance, and the longer focal lengths will even cover larger sensors.
The Cooke Anamorphic Macro lens matches the rest of the Cooke 2x Anamorphic set and provides cinematographers with a high quality 65mm macro that is sharp with decent contrast and exhibits the traditional Cooke warmth.
The last lens in the Master Prime set, the 100mm T2.0 Master Macro is a unique piece of optical engineering, offering 1:1 magnification. Featuring the same color and contrast matching as the rest of the Master Prime set, as well as virtually zero breathing.
The Cooke Anamorphic SF Macro lens matches the rest of the Cooke 2x SF Anamorphic set and provides cinematographers with a high quality 65mm macro that is sharp with decent contrast and exhibits the traditional Cooke warmth in addition to the SF flares.
