Zeiss made the 60mm Macro around the same time as the Standard Speed set. The lens fits well into that set and offers similar optical performance as the Standard Speeds.
A TLS/Cinescape rehoused lens, the Leica R Macro is a still photography lens that has been converted for use with cinema cameras and features excellent close focus, 0.8 gearing for focus motor attachment, and a PL mount.
Vantage designed the Hawk V-Lite Macro to match the rest of the standard Hawk V-Lite set. The 55mm focal length provides a high quality macro option to the already tried and true Hawk V-Lite set.
The Kilfitt Macro is a vintage macro lens that provides a soft, uncontrolled image, while still offering excellent close focus for macro work. This is a tried and true vintage macro.
Servicevisions 60mm Scorpio Anamorphic Macro was designed alongside the rest of the Scorpio Anamorphic set. Like the regular Scorpio primes the Macro exhibits excellent field sharpness and warmth.
Designed the match the Cooke 1.8x Full Frame prime lenses, the 85mm T2.8 1.8x Macro has the same sharp and natural “Cooke Look” as the rest of the set and exhibits minimal distortion, aberration, and flaring. The macro is color matched to the rest of the 1.8x set and covers full frame sensors.
Designed the match the Cooke 1.8x Full Frame Special Flare (SF) prime lenses, the 85mm SF T2.8 1.8x Macro has the same sharp and natural “Cooke Look” as the rest of the set and exhibits minimal distortion and aberration, with increased flare potential similar to the rest of the SF set. The macro is color matched to the rest of the SF 1.8x set and covers full frame sensors.
The Atlas Orion Silver Edition 2x squeeze anamorphic primes are a modified version of the original Atlas Orions. The Silver Editions feature a new coating process that produces monochromatic flares rather than the multi-colored flares of the original set. They perform optically similar to the original set.
The Zero Optik Olympus Primes are a set of rehoused still photography lenses from the 1970’s. Unique among photo lenses for their combination of compact size, uniform T2.2 apertures, and consistent performance. They produce sharp images with warm smooth flares, without being too sterile.
The MasterBuilt Soft Flare's offer a softer edged lower contrast look compared to the original MasterBuilt lenses, giving them a more vintage feeling for large format cinematography. The Soft Flares still feature the same special polishing process that gives these lenses their unique flares.
